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Kaminey redefines "masala" movie

Fasten your seat belts and get ready for thrill ride, one of the best caper movies made in Mumbai. Kaminey breaks the classic "Bollywood masala" stereo type and creates it's own definition of "masala". In this masala the basic ingredients (romance, action, comedy, emotions and songs) are still there but the way they are mixed and presented makes your taste buds wanting for more. Thanks mainly to Vishal Bhardwaj, the multi talented director, who before Kaminey had made children films, films on Shakespearean and Ruskin Bond literature, but with this film he proves his metal in the "commercial" cinema format (Second biggest hit this year).

This movie has multiple plots running in parallel, all of them converge on twin brothers Charlie, who has a lisp and Guddu, who stammers (Shahid Kapoor). Charlie works with the bad guys and dreams of making quick money while Guddu, the only nice guys in the film, has planned his life in advance and is happy. The trouble starts, or you could say the thrill starts when Charlie bumps into corrupt cops and Sweety (Priyanka Chopra) disrupts Guddu's planning, all this take you on a roller coaster ride ands ends in an apocalyptic ending. The speech defects of the brothers and some of the wackiness of the crazy supporting cast gives the comic relief from the fast pace of the movie.  

Shahid Kapoor is the star of the movie, he has stepped out of his lover boy image and given a great performance, Priyanka Chopra in a de-glamorized Marathi girl is great. The entire supporting cast is one of the highlights of the movie. Considering that almost the entire support cast is made up no name actors, it is great feat by the Vishal Bhardwaj. Watch out for Bhope (Amol Gupte, writer of Taare Zameen Pe) and Mikhail (Chandan Roy Sanyal), Charlie's partner in crime.

Dhan-Te-Nan, the song, is another star of the movie whenever it comes up in the movie it gives you an adrenaline rush. Gulzar's lyrics as usual are very poetic and thought provoking. All the songs are mainly in the background and do not hinder the flow of the movie. On the whole this movie belongs to Vishal Bhardwaj, he is the director, producer, co-writer and the music director. Cinematography by Tassaduq Hussain is very raw and keeps the pace of the movie alive. 

In future if my masala movies are going like this I am ready to lap it up. In the movie there is dialog "Life gets screwed up not by the path you take but by the path you did not take", so folks take the right path and watch the movie :-).

Oct 03, 2009
 said...
Saw it on netflix Yesterday. Liked the storyline but somewhere something was missing. It maybe that I read too many review and made up something in my mind about what the movie was and it didn't gel with my expectations. I have too points which I thought didn't work for me.
1) Too dark literally. I mean the light content and the shaky camera format works well for certain movies, but this one it didn't. VB is known for details and the fact that the movie had so many local references in the background, just having a little more light in shots would have helped greatly in bringing those details out. Case in point if you are going to show a marathi mohalla, at least shed some light on the nuances in the background. I could tell that the art director did a lot of work but it never came through.
2) The movie gathered steam like any action thriller, but sort of fizzled at the end due to a lack of an 'Oh' moment. It maybe that VB is going for the realist kinds of genre but movies specially multi storied thriller need an 'Oh' moment to make it worthwhile (see Layer Cake, similar story, but with 'Oh' moment, or Khakhee as well).

Since I haven't yet watch Omkara or Maqbool, I may not truly know what VB movies are about. Once I have seen them maybe I may appreciate Kaminey better. None the less it was a good movie, more like Johny Gadddar rather than Khakhee.

Oct 11, 2009
Vikram Singh said...
First of all thanks to you I saw it again on Netflix and enjoyed it more :-)!! Anyway here is my take on your comments ...

1. Yes the film was too dark when I saw it on TV however, the first time in the theater I never noticed the darkness. I have noticed a lot of people who saw the movie on TV have complaint about the confusion and darkness, on big screen I never noticed this. ... so I guess this movie was meant for big screen (maybe this is the new way to get people in theaters!!).

2. Well you may be right about the 'Oh" moment but I think the movie never intended to have an 'Oh' moment. The movie is more about the journey with subtle comedic nuances, which I think is brilliantly done in this movie.

On watching other VB movies to understand this movie ... that will not help ... all his movies are very different (although Maqbool and Omkara is of the same Genre) the only thing that is common in all VB movies is his brilliance in adopting litreture and various styles of film making (caper movies in this case) to Indian sensibilities.

Finally it is kind of sad that you have not seen Maqbool and Omkara, at least see it for me man !!!

 
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